Within W.B. Yeats’ “Leda and the Swan”, H.D.’s “Helen”, W.H.
Auden’s “The Shield of Achilles”, Rosanna Warren’s “The Twelfth Day”, and
Louise Gluck’s “The Triumph of Achilles” there is a clear tension between
mortals and love versus immortals and indifference.
In “Leda
and the Swan” Yeats portrays the indifference of the gods. In “Helen” H.D.
articulates that mortals have the capacity to love and hate. In Warren’s “Twelfth
Day” we see how humans grieve and love. In “Triumph” we are told that it is
only mortals who love. Finally, in “Shield of Achilles” we are forced to wonder
what humanity would be without love. This grouping of rather modern poems, when
examined together, perpetuates the idea that humans have the ability to feel
love and grief and immortals are more indifferent.
Book 6 of the Iliad depicts the temporariness of mortality, “humans generations are like leaves in their
seasons./ The wind blows them to the ground, but the tree/ Sprouts new ones
when spring comes again” (Iliad,
6.149-51). According to the ideals of these modern poets, having the ability to
feel emotion is what it means to be human.
Even though I see the point that the above authors are making, I think characterizing the gods as emotionless is a severe and inaccurate statement. I don't believe that the immortals cannot feel, for I don’t think anyone
can argue that successfully in the scope of the epic. However, it is like when
Patroclus’ immortal horses grieve for him in Book 17, their first encounter with
mortality, “Why did we give you …/ To a mortal, while you are deathless and
ageless?/ Was it so you could share men’s pain?/ Nothing is more miserable than
man” (Iliad, 17. 457-10). Why should
immortals subject themselves to human grief when in the blink of an immortal
eye the humans will be recycled?
Pledge: Michaela Knipp
No comments:
Post a Comment