Going way
back to the beginning of the semester, I’m finally posting about a topic I
wanted to explore in Gilgamesh. In the epic, Enkidu dwells with
gazelles—entirely wild, just as the animals he associates with. Meanwhile, Gilgamesh is compared to a wild ox
and, although the ox is “wild,” oxen are frequently domestic creatures. When a friendship is engendered between
Enkidu and Gilgamesh, the codependence of wilderness and domesticity becomes
clear as the two men assist one another.
Gilgamesh’s victory over Enkidu tames the wild man in a way, but this
fight does not domesticate Enkidu entirely.
He is able to better fit into everyday Mesopotamian society, but he
still has close ties to wilderness which assist Gilgamesh. The two very different characteristics
demonstrated by these men ultimately complement one another and they are able
to temper the other’s actions. This
interdependence of wild and domestic is particularly shown during the struggle
with Huwawa. After Huwawa has been
defeated, the Enlil-appointed monster attempts to appeal to both Gilgamesh and
Enkidu. Huwawa manages to appeal to
Gilgamesh and gain the king’s pity, but when he attempts to appeal to Enkidu,
the wild man is not moved. Perhaps
Enkidu was wary of Huwawa’s sudden realignment of his loyalty when the monster
attempted to appeal to Gilgamesh, as Enkidu continued to tell Gilgamesh to end
the monster. Because Enkidu is more in
touch with nature, he may have been able to pick up on Huwawa’s potential
deceit, which therefore saves Gilgamesh, but dooms Enkidu with a curse.
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